Research

This idea surfaced in the 'sitting in the labyrinth' phase. To create a series of mono-prints that might capture 'ideas and feelings projected onto atmosphere'. I struggled to give it some structure and not just chuck out a load of experiments. I knew I wanted to...

Folds have always been a source of pleasure for me. Folds of flesh, fabric, undulating landscapes, enveloping, uni-directional pliable interchanges. In the late 1990's I saw a wonderful collection of paintings by Alison Watt in Edinburgh. Her juxtaposition of nude painting and fabric folds creates...

Time off in December was spent making, reflecting, cataloging and exploring new connections inside and outside the studio. Reveals through fracture is a drawing related to Comminuted Landscapes. The making process altered to incorporate cuts and reveals to another space beyond the surface. ...

I've been looking at neolithic petroglyphs for a number of weeks now. Sites like Knowth and Newgrange, created the need in me to build an environment like the wax labyrinth. Objects like phallic relics, mace-heads and later medieval deities the Sheela-na-Gigs give a sense of...

When the tiny plastic people arrived last week in the post I wanted to revisit the red wax labyrinth model again. In many ways and on many levels, the narrative of this labyrinth has changed. How would the presence of people change the way I see...